The Illusions and Anti-illusions of Tony DeLap
Tony DeLap may be the best-known unknown artist in Southern California. Mention his name to art connoisseurs abroad, and youre likely to hear about his numerous critical accolades and worldwide reputation. Yet, here in Orange County, CA, DeLap has labored in near-anonymity for the past 40 years.
I wrote these words for an Orange Coast magazine article in 2000. This description of an artist whose works bridge modern and contemporary art is as true today for DeLap as it was in 2000. My article continues:
"Not a lot of people like my art," says the 72-year-old artist, sounding not the least bit disappointed or deterred.
Yet, Tony DeLap is a master of what's called minimalismworks that are deceptively simple in form and color and almost totally lacking in feelings and emotions. "Its a lot to ask people, 'Do you like that red shape on the wall?'" says the artistbut in fact, his works have been widely admired.
He has exhibited in hundreds of museums and galleries, including The Museum of Modern Art, the Whitney Museum and the Jewish Museum, the Smithsonian Institution, the Art Institute of Chicago, and The Los Angeles County Museum of Art.
As I drove to his Corona del Mar studio, I wondered if the artist would be as understated as his work. I was greeted by a grandfatherly man in an ironed blue shirt, gray pants, gray hair, goatee and granny glasses. Hes a husband, father of two grown children, amateur chef and fishermanbut most of all a magician. As he showed me around his two-story studiothe first floor work area cluttered with tools and sawhorses; an orderly gallery-like space upstairshe encountered a deck of cards sitting on his drafting table, waiting for a willing audience. In short order, in his hands, spades became clubs, while hearts appeared, seemingly out of nowhere. (See image above for one of his magic tricks.)
The artist's "shaped painting"he refers to them as "hyperbolic paraboloid"change shape as the viewer moves and have titlesHoudini and The Great Escapethat are clearly homages to the conjurers art.
And yet, they're not. Tony DeLap explained that while magic is the art of illusion, minimalism is the art of anti-illusion. What you seeand only what you see is what you get. Or, as he says, "A work of art is a thing in itself."
Within that rigorous definition, he has been able to work steadily for almost a half century, turning out a steady stream of paintings and sculptures that are so unusual in shape, structure and construction that they almost defy description.
While some minimalists even rejected the actual process of building works of art, He has almost always constructed his own workssawing, stretching and painting canvasses; experimenting with structures and materials, including wood, metal, fiberglass, molded plastics and fabrics; producing freestanding aluminum and fiberglass and resin sculptures; as well as wall-mounted, low-relief, mixed-media constructions.
I asked Tony DeLap why he continues to work in a minimalist mode, years after it has ceased to be the de rigueur art movement.
His answer: he has spent his whole life living on or near water. "When you look at the water, there's nothing there," he said. "Water is really serene, metaphysical, Zen-like and poetic." A good description of his art!
This veteran water-watcher was born in Oakland in 1927, and witnessed the construction of the Golden gate bridge from his front porch. In the '50s and early '60s, he worked at various jobs, including trade show exhibitions and freelance graphic design while working on collages, painting and sculpture at night.
He became an art professor in San Francisco, then landed a job at UC Davis. In the mid 1960s, he came to Orange County to teach art at UC Irvine.
Before he built his current studio, Tony DeLap rented a large workspace in Costa Mesa, near crafts and construction shops. He learned from his neighbors, and evolved as a craftsman as well as an artist.
Tony DeLap Today
In 2011, Tony DeLap was involved with the SoCal art movement, Pacific Standard Time, with the exhibition, "Best Kept Secret: UCI and the Development of Contemporary Art in Southern California, 1964-1971," at Laguna Art Museum. This show exhibited works by art instructors and students at the University of California at Irvine in the late sixties and early seventies, who created conceptualism, performance, video, feminist and installation art.
The genesis of "Best Kept Secret" occurred in 2009 in a conversation between Laguna museum former director Bolton Colburn and DeLapan original UCI faculty member and project consultant for the show. (Please see KCET Artbound article).Back to top